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The
Da Vinci Code
Genre: Thriller
Rated: PG-13
Directed by: Ron Howard
Starring: Tom Hanks, Audrey Tautou, Sir Ian McKellen, Paul
Bettany, Jean Reno, Alfred Molina
Released by: Columbia Pictures
In
Short: This by-the-book adaptation of the
best-selling novel tries hard but can’t
stand up to the challenges of such a densely
told tale. |
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Do
You Believe?
Buying
Into the Code
By
Jenny Peters
Beginning
with the assumption that virtually everyone who sees Academy
Award-winning director Ron Howard’s take on “The
Da Vinci Code” has already read the phenomenal best-selling
book, watching his film is something of an anticlimax.
That is, unless you’re a true believer. For Howard
is a smart filmmaker, so he has not deviated from the
major moments of the novel, right down to chunks of familiar
dialogue. So, if the book posited a theory of Christianity
that seemed plausible to you, his film may just work just
fine.
Howard
has certainly cast his religious thriller with a stellar
group of actors, anchored by two-time Oscar winner Tom
Hanks as Robert Langdon, the Harvard professor visiting Paris who is swept up into multiple murders as a crazed albino
monk (Paul Bettany) searches for the Holy Grail. He’s
joined by Audrey Tatou (as codebreaker Sophie Neveu),
France’s greatest actress of the moment, in a mad
run from the French authorities (personified by another
top-notch French actor, Jean Reno) as they begin their
own quest for the Grail.
Howard
has even found a device to visually reveal the historical
religious conceits told in the novel, showing them in
washed-out visions of Christ’s time, the Crusades,
and even the early lives of the main protagonists. It’s
a clever way to translate the dense Dan Brown novel into
a manageable length (although the film still runs a solid
two and a half hours), but somehow overall it falls flat,
lacking the necessary anticipation and excitement that
is fundamental to a good thriller.
Perhaps
it is the foreknowledge of where the story is going that
makes the film seem somewhat plodding, with tons of talking
and explaining, or the distinct lack of the tingling frisson
that Brown’s book generates in the reading. Or maybe
it is just that when all the religious rigmarole from
the novel is actually spoken out loud, it becomes very
hard to take seriously.
Pinpointing
the reason that “The Da Vinci Code” never
takes flight as a film isn’t easy; you’ll
just have to take it on faith that it never quite soars.
P051906 |
(Updated 08/30/07 NJ) |
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