
|
Ratatouille

Genre: Animation/Comedy
Rated: G
Directed
by: Brad Bird
Starring: Patton
Oswalt, Ian Holm, Lou Romano, Brian Dennehy, Peter
O'Toole, Janeane Garofalo
Released by: Walt Disney
Pictures/Pixar Animation
| In
Short: Pixar concocts an animated delicacy,
mixing the story of a culinarily creative rodent
with heaping measures of wit and artistry. |
|
Cinema
Vermine, Well-Done
Fine
Family Fare
by
Matt Kane
Historically,
animated vermin have held an intriguing if not oft-clichéd
place in the heart of American pop culture. Films like The
Secret of NIMH or An
American Tale have used anthropomorphized mice or
rats as a metaphor for an impoverished working class
swept into a world they find terrifyingly more grand
than their humble beginnings, but who are ultimately
saved by unflinching senses of self and purpose. On the
other hand, the poor critters are also prone to comical
and near-tragic jeopardy involving household pets and
devices. Believe it or not, the skillful combination
of both of these themes has made Pixar and Disney’s Ratatouille one
of the best films of the year.
The
CGI-crafted tale follows a rat named Remy (voiced by Patton
Oswald), who finds himself on the streets of Paris after
being swept away from his family and country home. French citizenship
might begin to explain Remy’s powerful attraction
to the culinary arts, which soon leads him into the bustling
Parisian kitchen at Gusteau. Remy earns the attention
of the restaurant’s
brand new garbage boy, Linguini. Boy
befriends rat, rat agrees to help boy, and before long
the two have cooked up a system of illogical puppetry
that lets Remy ply his beloved trade while Linguini is
toasted as the hottest new chef in town.
From
there on out, the film’s plot meanders
through a few too many characters and conflicts for it
to ever locate the same emotional satisfaction of The
Incredibles or Finding Nemo, but its truly
standout pleasures lie elsewhere. Without a doubt,
this is a film to be appreciated on the big screen, as
that’s the best vantage point to get the full benefit
of its remarkable artistry. Ratatouille’s
rats showcase painstaking detail, eerily authentic movements,
and more expressive facial contortions than the actors
voicing them can keep up with. Trailing close behind
in notable achievements is the attention
paid to the creation of the film’s many edible
delicacies, which not only impressively ape authentic
French plate compositions, but go so far as to visually
convey the food’s sensate presence. You can
practically smell the simmering Gruyère and Béchamel.
In
addition to indulging in the finer details of French
cuisine, Ratatouille also manages to combine
exhilarating kinetic momentum with choreographed action
sequences rivaling the best classic animation, not to
mention every blockbuster film of the summer. Thankfully
though, all of this visual intelligence is matched by
the film’s thematic intelligence, provided by writer/director
Brad Bird’s incisive script. It’s
hard to imagine that a big-budget animated movie made
in conjunction with Disney could climax with an eloquent
treatise on the critic’s role and the artist’s
soul (from a phenomenal Peter O’Toole as restaurant critic Antono Ego), but Bird’s
willingness to sacrifice marketability for quality is
one of the factors that makes him one of the greatest
mainstream filmmakers working today. Yes, parents,
your kids will like this film—but a few of you
may genuinely love it.
| PJW062707 |
(Updated 08/28/07 NJ) |
|