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Cinderella
Man

Genre:
Drama
Rated: PG-13
Directed by: RON HOWARD
Starring: RUSSELL CROWE, RENÉE
ZELLWEGER, PAUL GIAMATTI, CRAIG BIERKO, PADDY COSIDINE
Released by: Universal Pictures
In
Short: Ron Howard’s moving tale of the exemplary
life of boxer James J. Braddock (a.k.a. the
"Cinderella Man") is sober and balanced—a
certain Oscar contender. |
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Balanced
and Unsentimental
Ron
Howard Proves that Good Feelings Can Make for a Good Movie
by
André Gayot
Making
a good movie filled to the brim with good feelings is
pretty much like trying to square a circle: mission almost
impossible. But Ron Howard pulls it off with "Cinderella
Man." There’s a high risk for a director to
churn out a weepie when such a heartening story is told,
depicting starving kids, a selfless mom and a heroic dad;
a story where courage, tenacity and honesty prevail in
a world where all values have gone awry.
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Although the title is evocative of a holiday season Disney
release for kids, this is not the case with "Cinderella
Man." The film succeeds in being moving without overplaying
the sensitive cords, because Howard’s narration
of the exemplary life of boxer James Braddock (Russell
Crowe) is sober and balanced. What could be considered
sickly sentimental is indeed the counter measure to the
extreme violence of heavyweight boxing, leading, in extreme
cases, to death. Opposing this pitiless and sometimes
corrupt universe of professional boxing, where the fate
of a man represents no more than a business factor, requires
the angelic smiles of children and the tenderness of a
loving mother. To withstand this beastly brutality we
need to immerse ourselves in a united and loving family
circle.
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Although
"Cinderella Man" cannot be categorized as a
boxing movie, boxing has never been portrayed so well
on screen. The performance of Russell Crowe is as astounding
as the cinematography is sizzling. The spectator stands
right in the ring and mentally falters under the fists
of the boxers. Howard makes us share the pain, the fear,
the despair, the anxiety and the anger of the fighters,
reminding us (and this is not a coincidence) of the gladiators
in the Roman arenas.
The
long and daunting march of James J. Braddock (a.k.a. the
"Cinderella Man") from poverty in the slums
of New York to success and notoriety takes place during
the dark years of the Great Depression. To a younger audience
this is only history, and we are too inclined to forget
these somber ages—although for the old timers who
lived through them (and survived) it seems like it just
happened yesterday. It’s good that a movie whose
aim is to entertain and to comfort with a moral tale also
reminds us with tact and finesse that if “happy
days are here again” they do come at a price previous
generations paid for—dearly. Let’s put "Cinderella
Man" on the list for the Oscars.
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